http://www.cambridge.org/cn/academic/subjects/archaeology/archaeology-asia-sub-saharan-africa-and-pacific/ancient-china-and-its-eurasian-neighbors-artefacts-and-cross-cultural-interactions-3000-700-bce?format=HB#vjJit9fv0Spej6Vl.97 This volume examines the role of objects in the region north of early dynastic state centers, at the intersection of Ancient China and Eurasia, a la...(展开全部)

Spanning the fifteenth to the twentieth centuries and examining maritime trading relations, political interactions, overland Chinese expansion and Chinese commerce in Southeast Asia, this book will appeal to historians of China and Southeast Asia.

高本汉（Bernhard Karlgren），瑞典著名汉学家。哥德堡大学教授、校长，远东考古博物馆馆长。他是瑞典最有影响力的汉学家。他一生著作达百部之多，研究范围包括汉语音韵学、文学、词典学、文献学、艺术和宗教。创见颇多。

As a result of the Aigun (1858) and Beijing Treaties (1860) Russia had become a participant in international relations of Northeast Asia, but historiography has underestimated the presence of Russia and the USSR in this region. This collection elucidates how Russia's expansion affected early Meiji Japan's policy towards Korea and the late Qing Empire's Manchurian reform. Russia...(展开全部)

Offers a new perspective on the relationship between religion and the creation of the first Chinese empires. Heaven Is Empty offers a new comparative perspective on the role of the sacred in the formation of China’s early empires (221 BCE–9 CE) and shows how the unification of the Central States was possible without a unitary and universalistic conception of religion. The cohes...(展开全部)

【反思：近代早期的中日文學與文化互動】 本書提出10個有著豐富細節的案例研究，檢視從 #明末 到20世紀初，中、日兩國知識份子之間的文化與文學互動。作者思考黃海兩岸的學者，瞭解彼此的語言與文化，借鑑大眾熟知的文書與形式，以及為共同的文學實踐所做的努力。 儘管東亞文化圈內的文學與文化流動，有時被想像成全然單向的，由中國往四周國家的文本傳播過程，但《反思：近代早期的中日文學與文化互動》（Sino-Japanese Reflections: Literary and Cultural Interactions between China and Japan in Early Modernity）收錄的文章揭示出一幅更複雜的景象：凸顯了文學與文化參與為何總是能帶來創造性地適應與妥協的機會。檢證日本口語詩的中譯版本、日本人參與的中國傳奇故事、日本歷史故事的白話...(展开全部)

China solely to paint pictures of a country I had during all my life heard a great deal of, and, in my book, I try to convey my impressions as an artist. I had occasionally heard of and seen sketches made by residents in and visitors to China, but I am not aware that a concerted attempt has ever before been made to produce and show to those at home a series of pictures which mi...(展开全部)